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American Plastic: A Cultural History
Download American Plastic: A Cultural History
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From Publishers Weekly
Meikle, professor of American studies and art history at the University of Texas, presents a splendid history of plastic. The book is authoritative, thorough, interdisciplinary and intriguing. As aptly characterized in the preface, "the narrative itself takes on a certain plasticity, touching in turn on the histories of technology and invention, of industry and marketing, of industrial design and consumer culture." The author adroitly balances the different perspectives. He traces the course of plastics from 19th-century celluloid and the first wholly synthetic bakelite, in 1907, through the proliferation of compounds (vinyls, acrylics, polystyrene, nylon, etc.) and recent ecological concerns. Amply considered in context are the cultural influences of plastics, which sprang from the original motives of "substitution, imitation, and innovation" to condition our present perceptions, language, lifestyles and expectations. The general attitude of the public toward this industry is ambivalent; the historical details prove instructive. Interested readers of whatever predisposition will likely enjoy this comprehensive and thoughtful treatise. Illustrations. Copyright 1995 Reed Business Information, Inc.
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From Library Journal
While many people would like to think that this is the Information Age, we are in fact living in the Age of Plastics. Since 1979 the production of plastic has far outpaced that of steel. It is doubtful that any of us could envision our world without plastics. From the Barbie dolls we grew up with to the cars we drive, for better or worse, plastics have shaped the world we live in. This scholarly and comprehensive work, by an American studies professor and author of Twentieth Century Limited: Industrial Design in America, 1925-1938 (Temple Univ. Pr., 1981), is nontechnical and emphasizes the social and cultural impact of plastics. Meikle's book is so enjoyable that this reviewer began underlining and writing margin notes while reading. Highly recommended for anyone with an interest in understanding contemporary society.James Olson, Northeastern Illinois Univ. Lib., ChicagoCopyright 1995 Reed Business Information, Inc.
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Product details
Hardcover: 403 pages
Publisher: Rutgers University Press (December 1, 1995)
Language: English
ISBN-10: 081352234X
ISBN-13: 978-0813522340
Product Dimensions:
7.5 x 1.2 x 10.2 inches
Shipping Weight: 2.5 pounds
Average Customer Review:
3.6 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#133,967 in Books (See Top 100 in Books)
Very detail history of the progression of plastic in America
Good Read!
This is a wonderful, precise, highly entertaining book, especially when it focuses sharply on the chemistry and business of plastics. It tells the fascinating story of the origins and development of plastics in the USA (which practically means elsewhere in the world, also) and the personalities of those that created or discovered them. Economically and stylishly written, with impeccable research, this is anything but a dry academic treatise.Certainly, it means to comment on culture as well as the progress of chemistry, and this it does, particularly in the last chapter. Even though I'm a mild Nixon admirer, I didn't mind it (much) when he was brought into the discussion in that closing chapter, which tackles the broader 'meaning of plastic'. Most academics are liberals, which naturally influences their choices of political Exhibits A -- which might not be the ones *I* would choose to illustrate my point. Unfortunately for the argument, Nixon was closer to a 'conviction politician' and did not have the purely opportunistic character or nature that the quoted observers believed he had -- as liberals, they no more understood Nixon's motives than they understand *any* non-Leftists. The author hints that they might be wrong, but in such a way as to leave untouched the suggestion that Nixon was no good but that those opposed to him (and different, and younger) were. So for me, that point fell flat because the supposed experts didn't know what they were talking about. But in the final chapter we have moved away from the real subject of the book, from the nitty gritty of creative adventure.Anyway, I'm pleased to see that this formerly out-of-print book is now available on Kindle, but if you can get the hardcover edition, the full-colour plates in the middle and numerous black and white photos throughout might be worth it.
Meikle produces a book, a text, really, that is almost imperative to every student and instructor of Sociology or Cultural History. The book serves as more than a technological manifest of an object's history, as many tend to do, and exposes a critical part of our modern lifestyles.Few can ignore that plastics exist througout our modern lives more than ever before. In fact, plastics are some pervasive that few care to remember them any more. Such an important material, a material so born in human creation, deserves due notice. American Plastic is just that.The reader stands to benefit from Meikle's background in art history. The development of plastic in the Twentieth Century restricts plastic's popularity not for its utility but rather for its art. The art of plastic became manifest to me when I started working in plastics a few years ago. Before I left, I was able to witness first-hand the development of plastic parts for the myriad "toys" we see today. My division was merely responsible for coloring the material, yet this step was crucial more than any other merely because American's have an aversion to the ugly.We shun the idea of plasticity, a word filled with images of large infinte primary colors and decades long past, but we forget that it is the same plastic we use in our cell phones, computers, soda bottles and cars that we cannot live without. Meikle's work exemplifies this artistic aspect as a factor as important as the technology behind the material.Nonetheless, he does not fail to provide the reader with a rich history of the technological, political and sociological development of plastic. Meikle does not stray for his purpose, and perhaps this is partly why this book is so enjoyable to read.
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